Ephraim hunte biography

Ephraim Hunte.
Experience: EHP LTD · Location: Trinidad and Tobago · 120 connections on LinkedIn.
With more than 40 years in the beauty industry, Ephraim Hunte-De La Chevrotiere is a makeup guru, educator, photographer, and artist who has changed the.

•

Onika Edwards is the Owner and Founder of OEBeauty. She is a Professional Makeup Artist and Website Designer located in St. James, Trinidad and Tobago. Her makeup work has appeared in several commercials, billboards and films. Onika holds a few IMDb Film Credits notably 'Jab in the Dark' and ‘Salty Dog’. Onika’s passion and vision for OEBeauty, is solely geared towards enhancing her beauty brand and services for her clients.

Holder of a Masters in International Business from the University of Wales and a BSc in Computing from the University of Greenwich, Onika under the direction and guidance of Mr. Ephraim Hunte trained in Creative/Carnival and Bridal makeup artistry. She continued to widen her knowledge base with seminars from Celebrity Makeup Artist Danessa Myricks, International and Celebrity Makeup Artists Sam Fine and Renny Vasquez.

Onika’s love for design, colour, and the creative process has lead her to be featured in the National Newspaper ‘Woman Express Feature’ has purposed her path on developing makeup looks for Bridal, Fashion, Photo-shoots,

•

E Aubrey Hunt (1855-1922), American expatriate artist

Citation metadata

Document controls

Main content

Article Preview :

The American expatriate artist E Aubrey Hunt (18551922) has remained on the fringes of discovery by a larger audience for many years. As late as the 1950s a supplement to The Illustrated London News carried two large pages devoted to the works of Hunt entitled 'The art of E. Aubrey Hunt: A gifted and once justly famous painter'. There were six smaller reproductions in black and white and a full page colour reproduction of Testing the temperature: woman and child on the beach by Hunt (P1 2). The caption referred to the 'charming painting of a gifted artist now almost forgotten'. It named several galleries in England where Hunt's pictures could be found. (1)

It wasn't until the mid-1990s and the re-emergence of interest in representational art that Hunt's work was reconsidered. In 1994 Gerald Ackerman devoted four pages to E Aubrey Hunt in his 1994 English edition of American Orientalists. In the context of late-19th-century seascapes one can quickly